Reflect

28th October – 3rd November 2015

Janet James

                                        

  • Over the years Janet’s love of painting has led her to experiment with oils, watercolours, pastels and acrylics. This lifelong passion for art has filtered into her teaching where she has encouraged children; from mainstream and special needs schools, to explore their creativity by using a range of natural and manmade materials.
  • Janet left teaching in 2013 giving her the time and space to develop her practice. Working in her studio Janet has been able to fully explore techniques and materials when creating abstracted land and seascapes. Janet is drawn towards the reflective qualities of water and the dynamics of seas and coastlines, as well as unfamiliar landscapes that she has experienced.

Open daily 10am-5pm

Entry Free

[AFG_gallery id=’171′]

 

WHERE ARE WE/CONTACT US?

Click map

POSTCODE: GL50 1SW

MONTPELLIER GARDENS

The Gardens were originally developed in the early 1800's and its centrepiece is the Bandstand.

Facing the Bandstand is the Proscenium Building where we now have our Gallery.

Follow https://tinyurl.com/MontpellierGardens for a history of the gardens and https://www.facebook.com/MontpellierGardens/about for information about Friends of the Bandstand and Gardens(FOMBAG).

ACCESS

  1. There is wheelchair access to the gallery from the path between the tennis courts and the gallery.
  2. For exhibitors delivering their work, there is a locked bollard to be removed at the gardens entrance. See link below for details.
  3. Unfortunately, there is no disabled parking in the gardens.
  4. Exhibitors should take care to design their exhibition layout with wheelchair use in mind.

For full information about accessibility, please follow this link:

https://www.gardensgallery.co.uk/accessibility/

FOOTFALL

 Typical annual foot-fall is 22000.

If we take out the impact of Festivals then the weekly average is 400 per week.

This varies according to the variables of weather, social media, networking, number of artists, and the appeal of the Exhibition

ART eBULLETIN

Social Media

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