Martin Piercy and David Pugh

Martin Piercy – Photographs
David Pugh – Collages
2nd – 8th December 2015

The photographs by Martin Piercy are taken from an archive of 20,000+ images which spans almost 50 years, and includes both traditional silver-based and digital technologies. They are examples covering a number of photographic genres: portrait, self-portrait, landscape and the built environment, abstract, photomontage, close-up, black and white, and image manipulation.

David Pugh assembles and creates collages using an eclectic and constantly varying range of materials and techniques, using scissors, scalpels, glue, paper, paints, inks, card, books, magazines, photographs, mirrors, figurines, lights, found objects. Large or small, framed or mounted, simple or complex, each one is unique.

Open daily 10am-5pm
Entry Free

[AFG_gallery id=’175′]

WHERE ARE WE/CONTACT US?

Click map

POSTCODE: GL50 1SW

MONTPELLIER GARDENS

The Gardens were originally developed in the early 1800's and its centrepiece is the Bandstand.

Facing the Bandstand is the Proscenium Building where we now have our Gallery.

Follow https://tinyurl.com/MontpellierGardens for a history of the gardens and https://www.facebook.com/MontpellierGardens/about for information about Friends of the Bandstand and Gardens(FOMBAG).

ACCESS

  1. There is wheelchair access to the gallery from the path between the tennis courts and the gallery.
  2. For exhibitors delivering their work, there is a locked bollard to be removed at the gardens entrance. See link below for details.
  3. Unfortunately, there is no disabled parking in the gardens.
  4. Exhibitors should take care to design their exhibition layout with wheelchair use in mind.

For full information about accessibility, please follow this link:

https://www.gardensgallery.co.uk/accessibility/

FOOTFALL

 Typical annual foot-fall is 22000.

If we take out the impact of Festivals then the weekly average is 400 per week.

This varies according to the variables of weather, social media, networking, number of artists, and the appeal of the Exhibition

ART eBULLETIN

Social Media

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