Conrad Clarke

‘And What Will Be Left’

30th August – 5th September 2017

  • Conrad Clarke is a young artist who lives and works in Cheltenham, Gloucestershire after relocating from London in 2012, where he assisted a handful of international artists, as well as developing his own studio.
  • With the landscape as his main subject of reference, he works to convey the beauty and complexities of it using texture, pattern, and narrative elements throughout his work.
    Always with the aim of re-enchanting the landscape, his depiction of a figurative reality can easily turn into an ambiguous, imaginative space that induces abstracted sensibilities into an otherwise ordinary practice.
    Through his travels he continues to seek out inspiration from the natural world while honing in on the unique details that define each imagined place.

    For more information visit www.byconradclarke.com

    Open daily 10am – 5pm

    Entry Free

WHERE ARE WE/CONTACT US?

POSTCODE: GL50 1SW

MONTPELLIER GARDENS

The Gardens were originally developed in the early 1800's and its centrepiece is the Bandstand.

Facing the Bandstand is the Proscenium Building where we now have our Gallery.

Follow https://tinyurl.com/MontpellierGardens for a history of the gardens and https://www.facebook.com/MontpellierGardens/about for information about Friends of the Bandstand and Gardens(FOMBAG).

ACCESS

  1. There is wheelchair access to the gallery from the path between the tennis courts and the gallery.
  2. For exhibitors delivering their work, there is a locked bollard to be removed at the gardens entrance. See link below for details.
  3. Unfortunately, there is no disabled parking in the gardens.
  4. Exhibitors should take care to design their exhibition layout with wheelchair use in mind.

For full information about accessibility, please follow this link:

FOOTFALL

 Typical annual foot-fall is 22000.

If we take out the impact of Festivals then the weekly average is 400 per week.

This varies according to the variables of weather, social media, networking, number of artists, and the appeal of the Exhibition

ART eBULLETIN

Social Media