Another Beastly Art Exhibition

Hazel Morris, Nat Morley and Jane Vernon.

13 – 19 November 2013

  • Another Beastly Art Exhibition shows work by Hazel Morris, Nat Morley and Jane Vernon. All their work carries influences from the natural world and animals in particular and their styles combine to create an exhibition with ‘wow factor’.

 

  • Hazel Morris creates bold one-off cast silver pieces and a wide range of more delicate pieces in precious and mixed metals. Some of her more recent work incorporates the use of coloured resins.

 

  • Nat Morley specialises in relief printmaking. She captures a feeling of movement, vitality and humour, in particular in her bold, lively images of creatures with ‘attitude’.

 

  • Jane Vernon works in textiles and ceramics. Both her painted and stitched textiles and cheerful functional pottery are influenced by landscape and gardens or populated with lizards, fish, and chickens.

 

 

[AFG_gallery id=’78’]

 

WHERE ARE WE/CONTACT US?

POSTCODE: GL50 1SW

MONTPELLIER GARDENS

The Gardens were originally developed in the early 1800's and its centrepiece is the Bandstand.

Facing the Bandstand is the Proscenium Building where we now have our Gallery.

Follow https://tinyurl.com/MontpellierGardens for a history of the gardens and https://www.facebook.com/MontpellierGardens/about for information about Friends of the Bandstand and Gardens(FOMBAG).

ACCESS

  1. There is wheelchair access to the gallery from the path between the tennis courts and the gallery.
  2. For exhibitors delivering their work, there is a locked bollard to be removed at the gardens entrance. See link below for details.
  3. Unfortunately, there is no disabled parking in the gardens.
  4. Exhibitors should take care to design their exhibition layout with wheelchair use in mind.

For full information about accessibility, please follow this link:

FOOTFALL

 Typical annual foot-fall is 22000.

If we take out the impact of Festivals then the weekly average is 400 per week.

This varies according to the variables of weather, social media, networking, number of artists, and the appeal of the Exhibition

ART eBULLETIN

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