21st – 23rd October | Pastel Workshops with Jan Whitton

Costs

Each workshop is designed to stand alone and costs £37
Please provide 2 cheque’s 1 for deposits ie. £10 per day
Another for the remainder, which will be cashed on 1st Sep 2018.
BACS details on request.
Your day will include a demonstration and to finish a `Crit’

What’s Provided

The Gallery has heating:
Disabled toilet: Small kitchen:
Tables and chairs.

There will be complimentary drinks and biscuits available throughout the day.
Please bring a packed lunch*.

Day One

Will be a day devoted to painting ‘Autumn reflections’

Day Two

Will be a day looking in detail at ‘Autumn Fruits & Berries’

Day Three

Will be a day working with a ‘Limited Palette’

Booking

 

Contact Jan Whitton
Whistledown, Cranham
Gloucestershire
GL4 8JA
Tel: 01452 812417

Email
jan@janart.org.uk

Web Site
www.janart.org.uk

WHERE ARE WE/CONTACT US?

Click map

POSTCODE: GL50 1SW

MONTPELLIER GARDENS

The Gardens were originally developed in the early 1800's and its centrepiece is the Bandstand.

Facing the Bandstand is the Proscenium Building where we now have our Gallery.

Follow https://tinyurl.com/MontpellierGardens for a history of the gardens and https://www.facebook.com/MontpellierGardens/about for information about Friends of the Bandstand and Gardens(FOMBAG).

ACCESS

  1. There is wheelchair access to the gallery from the path between the tennis courts and the gallery.
  2. For exhibitors delivering their work, there is a locked bollard to be removed at the gardens entrance. See link below for details.
  3. Unfortunately, there is no disabled parking in the gardens.
  4. Exhibitors should take care to design their exhibition layout with wheelchair use in mind.

For full information about accessibility, please follow this link:

https://www.gardensgallery.co.uk/accessibility/

FOOTFALL

 Typical annual foot-fall is 22000.

If we take out the impact of Festivals then the weekly average is 400 per week.

This varies according to the variables of weather, social media, networking, number of artists, and the appeal of the Exhibition

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